Shelley Burgon, Trevor Dunn - Baltimore

Review by Ash Grimes

Baltimore, a collaborative album by Shelley Burgon and Trevor Dunn, is an experimental masterpiece that takes listeners on a journey through a sonic landscape that is both captivating and intriguing. The album features a unique blend of sounds that range from the ethereal and dreamy to the dark and brooding, all of which are expertly crafted and executed.

From the opening track, "The Only Way Out Is Through," it is clear that Baltimore is not your typical album. The track features Burgon's harp playing, which is layered with Dunn's bass and electronic effects, creating a hauntingly beautiful soundscape that sets the tone for the rest of the album.

Throughout the album, Burgon and Dunn showcase their exceptional musicianship, with each track presenting a new and exciting combination of sounds and textures. From the hypnotic "Spiral Jetty" to the ominous "The Point of No Return," Baltimore is a sonic journey that never ceases to surprise.

One of the standout tracks on the album is "Requiem for a General Motors in Janesville, WI," which features Burgon's harp playing and Dunn's bass, along with field recordings of the abandoned GM factory in Janesville. The result is a hauntingly beautiful track that captures the melancholy and nostalgia of a once-thriving town.

Summary by Ash Grimes

Baltimore is an exceptional album that showcases the talents of two of the most innovative and creative musicians working today. With its unique blend of sounds and textures, this album is a must-listen for anyone who appreciates experimental music and cutting-edge artistry.